Journal of Korean Art and Archaeology Vol.13
2019. 01.
2577-9842
2951-4983
Ju Bo Don Professor Emeritus, Kyungpook National University
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GO TO KONGNPARK.COMGyeongju, a significant historical city in Korea, served as the capital of the Silla Kingdom for nearly a thousand years. Silla, divided into three periods—Saroguk, Silla, and Unified Silla—evolved through significant cultural and political transformations, including adopting Buddhism as a state ideology. Gyeongju's unique development, as evidenced by its consistently centered capital, diverse tomb structures, and prominent Buddhist influences, reflects its deep-rooted connection to Silla's extensive history and rich culture.
Gyeongju was the capital of Silla, an ancient Korean kingdom lasting nearly a millennium until 935 CE. Despite geopolitical challenges due to its southeastern location, Silla rose to dominate Korea by effectively leveraging its strategic position, leadership, and fostering diplomatic relations. This included alliances with China, which helped unify Korea. Gyeongju’s significance extended through history, retaining cultural importance during subsequent dynasties. Silla's adaptability and openness to external influences, despite geographic constraints, led to its dominance.
The royal capital of Silla, located in present-day Gyeongju, was a significant pollical and cultural center for nearly a millennium. Known by various names, it was the seat of government, surrounded by royal palaces, Buddhist remains, and elaborate tombs. Excavations reveal evolving city planning, influenced by Chinese models, integrating ancient practices with Buddhism. This city's history captures the development of urban layouts and burial customs, highlighting its regional influence and significance as a UNESCO World Heritage Site.
Archaeological evidence shows human settlement in Gyeongju from the Neolithic Age, with no tomb remains from that era. Bronze Age tombs (c. 1000-400 BCE) are primarily dolmens, while Early Iron Age tombs (c. 400-100 BCE) include stone-covered wooden coffins, unique to Gyeongju. During the Proto-Three Kingdoms Period (c. 100 BCE-300 CE), wooden coffin tombs emerged. The Silla Kingdom (mid-4th century) introduced stone chamber tombs. Burial practices evolved further with Buddhism's influence by the Unified Silla period (c. 6th century).
Metalworking in Korea dates back to the Bronze Age, with a peak during the Three Kingdoms Period (57 BCE-668 CE). Silla, notably, developed a distinct metalworking style, especially visible post-fifth century. Influences from the Tang Dynasty and neighboring regions like Goguryeo and Baekje can be seen in Silla's metal artifacts, including sarira reliquaries and Buddhist bells. Excavations, such as Geumgwanchong Tomb in 1921, revealed Silla's rich metal culture. Silla artisans were skilled, creating ornate items using techniques like casting, forging, and inlay.
Namsan Mountain in Gyeongju, South Korea, was sacred to the Silla Kingdom and remains a significant repository of Silla Buddhist art, with numerous relics including 150 temple sites and 129 sculptures. The mountain's granite sculptures, dating from around 600 CE, reveal the evolution of Buddhist art styles over centuries. Key artworks include the Rock-carved Four Directional Buddhas, influenced by grand temple styles, and the dynamic Rock-carved Buddha Triad at Chilburam Hermitage, reflecting unified Silla aesthetics. These artworks combine a variety of influences, showcasing the spiritual and artistic innovations of their times. Namsan's Buddhist sculptures collectively form a great mandala, integrating natural beauty and religious belief to embody the essence of a Buddhist paradise. Over the periods, new styles emerged, blending Indian and Chinese influences with distinctly Korean interpretations. By the late Unified Silla period, sculptures showed signs of decline, with simplified, exaggerated forms. Nonetheless, Namsan's stone Buddhist sculptures continue to be recognized for their harmonious integration with nature and their reflection of historical shifts in religious art.
The standing Maitreya and Amitabha statues from Gamsansa Temple, housed in the Buddhist Sculpture Gallery of the National Museum of Korea, are recognized as National Treasures No. 81 and No. 82. These statues are significant for Korean art and history due to their inscriptions, which clarify their creation date, commissioner, and purpose. Commissioned by Kim Jiseong in 719, the statues serve as prayers for his deceased parents. Reflectance Transformation Imaging (RTI) was used to better decipher worn inscriptions and understand the statues' origin. The research highlighted the use of different simplified characters, potential separate carving times, and disparities in calligraphy styles. These findings, coupled with existing rubbings, aid in ensuring accurate dating and study of the statues.