Journal of Korean Art & Archaeology 2018, Vol.12 pp.100-113
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During the Joseon dynasty (1392-1897), the title "gongsin" was given to individuals who rendered distinguished services to the state, notably in times of turmoil. These meritorious subjects were honored with portraits that illustrated their loyalty and achievements. Many portraits were lost, especially those before the Imjin War (1592–1598), but some survived. This essay examines the production and destruction of these portraits, especially during King Gwanghaegun's reign (1608-1623), focusing on the artistic techniques and the portraits' stylistic evolution. Notably, the portraits of Jo Gonggeun and their related sketches reveal insights into the portrait-making process of the time. Despite the revocation of several gongsin titles, original portraits remain, showcasing the delicate balance between historical consequence and cultural preservation.
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Other articles from this issue
- Editorial Note
- The Bureau of Painting during the Joseon Dynasty: The Transformation of Institutional Systems Responding to Political Changes
- A Study of the Ten Symbols of Longevity Screen in the Collection of the Museum of Art at the University of Oregon
- Desire for an Empire: The Painted Folding Screen Sea, Cranes, and Peaches at the Honolulu Museum of Art
- Production and Significance of Paintings of Tribute Missions to the Son of Heaven in the Late 18th Century
- Study of Ten-panel Folding Screen with Image of Peonies in the National Museum of Korea
- The Production Method and Characteristics of the White Birch Bark Mudguard Flaps from Cheonmachong Tomb