Journal of Korean Art & Archaeology 2018, Vol.12 pp.84-97
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Throughout the Joseon period (1392–1897), peonies were a popular subject in Korean art, featuring in bird-and-flower paintings and ceremonial folding screens. Their large, vibrant blooms symbolized prosperity and nobility, making them a favored motif. Peonies have been present in Asia since ancient times and were especially admired in Chinese culture. In Korea, they appear in historical texts and were cherished for their beauty and auspicious symbolism. The Ten-panel Folding Screen with Image of Peonies, housed at the National Museum of Korea, stands out for its continuous depiction of peony trees against a naturalistic background. This sets it apart from other screens of uniform patterns from the late Joseon period. Dating from the early 19th century, its detailed style and lack of uniformity reflect an earlier period of peony screen painting. This screen, attributed to the period when Yi Myeonsik served as a court official, highlights the evolution of artistic conventions. Its unique design and royal court associations suggest its use in significant ceremonies, offering insights into Joseon-era artistic practices.
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Other articles from this issue
- Editorial Note
- The Bureau of Painting during the Joseon Dynasty: The Transformation of Institutional Systems Responding to Political Changes
- A Study of the Ten Symbols of Longevity Screen in the Collection of the Museum of Art at the University of Oregon
- Desire for an Empire: The Painted Folding Screen Sea, Cranes, and Peaches at the Honolulu Museum of Art
- Production and Significance of Paintings of Tribute Missions to the Son of Heaven in the Late 18th Century
- The Production and Copying of Portraits of Meritorious Subjects: Portraits of Jo Gonggeun and their Related Drawings
- The Production Method and Characteristics of the White Birch Bark Mudguard Flaps from Cheonmachong Tomb