Journal of Korean Art and Archaeology Vol. 12
The Production Method and Characteristics of the White Birch Bark Mudguard Flaps from Cheonmachong Tomb
Journal of Korean Art & Archaeology 2018, Vol.12 pp.114-127
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ⓒ 2018 National Museum of Korea, All rights reserved.
AI Abstract
In 1973, the Cheonmachong Tomb in Gyeongju, Korea, revealed two white birch bark mudguard flaps featuring a heavenly horse image. These artifacts, likely used as saddle attachments, were named National Treasure No. 207. Dating back to the Silla Kingdom, the flaps were analyzed for production methods, revealing their construction from outer birch bark and use of four pigments. Variations in the horse images suggest involvement from multiple artisans. A 3D scan aided in creating accurate reproductions. This study illuminates ancient Korean craftsmanship.
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- A Study of the Ten Symbols of Longevity Screen in the Collection of the Museum of Art at the University of Oregon
- Desire for an Empire: The Painted Folding Screen Sea, Cranes, and Peaches at the Honolulu Museum of Art
- Production and Significance of Paintings of Tribute Missions to the Son of Heaven in the Late 18th Century
- Study of Ten-panel Folding Screen with Image of Peonies in the National Museum of Korea
- The Production and Copying of Portraits of Meritorious Subjects: Portraits of Jo Gonggeun and their Related Drawings