Journal of Korean Art & Archaeology 2020, Vol.14 pp.13-25
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The Goryeo dynasty (918-1392) in Korea was a pivotal period for artistic and craft developments, particularly in metalwork and mother-of-pearl lacquerware. Influenced by diverse foreign cultures, the era saw unique Korean styles emerge, especially through Buddhist influences, leading to diverse and intricate religious metalworks. The "Gaoli tujing," an illustrated record by Xu Jing, provides critical insight into Goryeo’s crafts, detailing their sophistication and aesthetic value. This includes descriptions of items like incense burners, kendikas, and najeon chilgi (mother-of-pearl lacquerware), which demonstrate the upscale techniques and artistry achieved during this period. While Xu Jing's work reflects a foreigner's perspective, it is invaluable in understanding 12th-century Goryeo crafts, their foreign admiration, and their evolution over time.
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Other articles from this issue
- Reviews of the Five Articles on Characteristics of Goryeo Art
- The Development of Suryukjae in Goryeo and the Significance of State-sponsored Suryukjae during the Reign of King Gongmin
- Thirteenth-century Wooden Sculptures of Amitabha Buddha from the Goryeo Dynasty and the Ink Inscriptions on their Relics
- Consecrating the Buddha: The Formation of the Bokjang Ritual during the Goryeo Period
- Clothing and Textiles Depicted in Goryeo Paintings of Water-moon Avalokitesvara
- A Study of the Metalworking Techniques Manifested in the Gold Buckle from Seogam-ri Tomb No. 9